BOOKS

Soetsu Yanagi

Soetsu Yanagi

Selected Essays on Japanese Folk Crafts

Yanagi Soetsu
Translated by Michael Brase

Japan Library series
Japan Publishing Industry Foundation for Culture

Art & Design

¥4,200 + tax

ISBN 9784916055750
220 mm x 148 mm / 248 pp. / March 2017

¥3,500 + tax

ISBN 9784866581453
220 mm x 148 mm / 246 pp. / March 2020

● Sixteen incisive essays by Soetsu Yanagi, founder of the Japanese folk craft movement and author of The Unknown Craftsman: A Japanese Insight into Beauty.

● Sixty-four full-color pages devoted to textiles, ceramics, wood and lacquer, metal, sculpture, and pictorial art.

The common utilitarian objects depicted in this book were considered aesthetically insignificant until the appearance of Soetsu Yanagi. It was Yanagi who discovered the beauty that could only be produced by simple, humble craftsmen repeatedly and unselfconsciously working on the same objects day after day. From this quotidian world emerged a distinctive beauty—wholesome, free, and devoid of self-awareness. To bring these crafts to the notice of the world, Yanagi established the Japan Folk Crafts Museum in 1936, from whose collection the objects illustrated herein have been chosen for inclusion by the publisher. In the essays, Yanagi expounds his philosophy of folk crafts and highlights particular pieces. Altogether, the book constitutes a penetrating insight into the world of Japanese handicrafts.

 

YANAGI Soetsu
Soetsu Yanagi (1889–1961) was born in Tokyo, the third son of Narayoshi and Katsuko Yanagi. In his travels across the country, he discovered the beauty of utilitarian objects produced by anonymous provincial craftsmen. In 1925 he gave these unrecognized works the name mingei, "folk craft." In 1934 the Japan Folk Craft Association was established, and in 1936 the long-awaited Japan Folk Crafts Museum came into being, with Yanagi serving as its first director.

In the interval, he continued his research on, and collection of, objects throughout Japan and Korea, which bore fruit in various papers on aesthetics, folk crafts, and the philosophy of religion, not to mention numerous art and handicraft exhibitions. In 1957, in acknowledgment of his unremmiting dedication to folk crafts, he was designated as a Person of Cultural Merit by the Japanese government.

*information as of time of publication

Japan Library series
Art & Design

Publisher:
Japan Publishing Industry Foundation for Culture

Hardcover
¥4,200 + tax
ISBN 9784916055750
220 mm x 148 mm / 248 pp. / March 2017

Softcover
¥3,500 + tax
ISBN 9784866581453
220 mm x 148 mm / 246 pp. / March 2020

CONTENTS
On the Publication of This Book
Color Plates
I. What Is Folk Craft? / II. The Beauty of Miscellaneous Things / III. A Painted Karatsu as Food for Thought / IV. What Is Pattern? / V. Okinawa’s Bashofu / VI. The Beauty of Kasuri / VII. The Characteristics of Kogin / VIII. The Japanese Perspective / IX. The Story behind the Discovery of Mokujiki / X. Woodblock Prints / XI. Otsu-e / XII. Handicrafts and Sesshu / XIII. Washi / XIV. Seeing and Knowing / XV. A Letter to My Korean Friends / XVI. The Japan Folk Crafts Museum
Notes to the Plates
About Soetsu Yanagi

Winner of the 2018-2019 Lindsley and Masao Miyoshi Translation Prize awarded by the Donald Keene Center at Columbia University. For more information, please click the following pdf.

世界から注目を集める民芸運動のリーダー・柳宗悦。無名の職人の手による日常雑器のなかに美を見出し、世界に新たな価値観をもたらした。英文読者用に採録した民藝館監修オリジナル論考集。カラー図版多数。

*コロンビア大学ドナルド・キーンセンターLindsley and Masao Miyoshi Translation Prize 2018–19受賞
*本英語版をもとに、スペイン語版も翻訳出版されている。

柳 宗悦
1889年~1961年。1910年、東京帝国大学に入学。この年文芸雑誌「白樺」の創刊にかかわり、同誌の中心的メンバーとして活躍する。1914年頃より関心は、西洋から東洋に、美術から工芸へと転ずる。1919年、共に民芸運動を展開する陶芸家浜田庄司と、1924年には同じく河井寛次郎との親交が始まる。この頃木喰仏に出会い、その調査研究に着手。
日本各地への木喰仏踏査を通じて、郷土に伝わる生活用具の美しさに着目。それらを「民芸」と名付け、1926年、「日本民芸美術館設立趣意書」を発表。これが民芸運動の嚆矢となる。1934年、「日本民芸協会」を設立、1936年には、念願の「日本民藝館」を設立し、初代館長に就任。
こうした間、日本各地・朝鮮などへ調査と蒐集の旅を重ね、それが数々の美術・工芸研究あるいは宗教哲学論考となり、また様々な民芸品展、美術展となって結実する。民芸の研究と普及の功績により、1957年、「文化功労者」に選ばれる。

*著者略歴は書籍刊行時のものを表示しています。

Original Japanese Edition

柳宗悦コレクション(オリジナル編集版)

柳 宗悦 著

筑摩書房 刊

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